These elements of vocabulary are intended as supplemental information for Rhythm Arise students. They are frameworks for learning, understanding and embodying rhythm in it’s many varieties. The names are convenient ways to refer to rhythmic structures and should not be mistaken as authoritative labels for material found in any musical tradition. These structures are frameworks indicating pillars of grooves, Any suggested voicing should be understood as one of many possible approaches to voicing – and any and all voicing combinations should be explored. All beginners should assume that any box without a letter is a ghost note and any box that is a ghost note CAN be an accent or voice. The aim is to use these as frameworks, but rhythm is a flow of time and we want to be able to flow from any structure TO any structure rather than approaching this vocabulary from the perspective of rigid replication. 

3,3,2 (tresillo)

DNDNDNDN
1e&a2e&a
xxx

 

3,2,3

DNDNDNDN
1e&a2e&a
xxx

 

2,3,3

DNDNDNDN
1e&a2e&a
xxx

 

2,3,3 Passport

DNDNDNDN
1e&a2e&a
bllhh

 

3,3,2 Passport

DNDNDNDN
1e&a2e&a
blbh

 

Upbeat Passport

DNDNDNDN
1e&a2e&a
llhh

 

Binary Groove

DNDNDNDNDNDNDNDN
1e&a2e&a3e&a4e&a
BTBT

 

Quarter note exercise

DNDNDNDNDNDNDNDN
1e&a2e&a3e&a4e&a
xxxxxxxx
xxxxxxxx
xxxxxxxx
xxxxxxxx

 

3/2 Clave

DNDNDNDNDNDNDNDN
1e&a2e&a3e&a4e&a
xxxxx

 

2/3 Clave

DNDNDNDNDNDNDNDN
1e&a2e&a3e&a4e&a
xxxxx

 

Brazilian Clave (Bossa Nova Stick Pattern)

DNDNDNDNDNDNDNDN
1e&a2e&a3e&a4e&a
xxxxx

 

Rumba Clave

DNDNDNDNDNDNDNDN
1e&a2e&a3e&a4e&a
xxxxx

 

7/9

DNDNDNDNDNDNDNDN
1e&a2e&a3e&a4e&a
xxxxxxx

 

cascara

DNDNDNDNDNDNDNDN
1e&a2e&a3e&a4e&a
xxxxxxxxxx

 

cicada

DNDNDNDNDNDNDNDN
1e&a2e&a3e&a4e&a
xxxxxxxxxx

 

Fanga

DNDNDNDNDNDNDNDN
1e&a2e&a3e&a4e&a
BllhhBBhh

 

Baladi

DNDNDNDNDNDNDNDN
1e&a2e&a3e&a4e&a
BBlllBlllhh

 

Tumbao

DNDNDNDNDNDNDNDN
1e&a2e&a3e&a4e&a
Sllsbbll

 

montuno

DNDNDNDNDNDNDNDN
1e&a2e&a3e&a4e&a
bhbhbhbbh